Graham Campbell

Kettle Vapours is a short piece for piano. I wrote it at the beginning of the COVID-19 pandemic and made this recording with a score video. 

I've uploaded some live videos of my new ensemble's first performance last month at Array Music. Here's one called Aimless Afternoon, inspired by Brazilian choro music. 

I'm debuting a brand ensemble, performing my original chamber jazz music, at Array Space on February 20th. Get details and tickets here!

I'm excited to have just finished a commission from the Pender Harbour Music Society! It's a 15 minute work for clarinet, string quartet, guitar, and piano entitled "Pender Harbour Paradise". The premier will be on August 17th at the Pender Harbour Chamber Music Festival in BC. Check out this interview I did with the local paper.

I've started a new trio with violinist Jessica Deutsch and singer/percussionist Aline Morales, playing a mix of traditional and modern Brazilian music: choro, forro, samba, and original tunes. Here's a clip from one of our first gigs, performing "Sete Estrelas" by Guinga. Our next show is January 24 at Arts Square Gallery. 

Last fall I went to Transylvania with James Campbell to perform with some very talented people including Krisztina Koszorus and the Tiberius Quartet. This summer they're coming to Canada! This show will feature a variety of music arranged by myself and Tibor Molnar.

I'll be performing on Friday, January 26 with the Emilyn Stam Trio at the Burdock Music Hall's Piano Festival. Here's a clip from our rehearsal!

Thanks to Rebecca Hennessy for making this video of my tune La Ananda for her series, A Drop in the Ocean. Check out all her other videos!

I really enjoyed writing and recording the music for the short and charming animation by Ti Yan.

I composed music to this hilarious silent film from 1905. Le Diable Noir was created by French filmmaker George Méliès. It tells the story of a man and a devil fighting over an apparently very comfortable bed in a hotel. The devils torments the man by moving furniture around, until the man goes mad and is escorted out by the hotel staff. Méliès' use of special effects in the film are quite stunning for the time. The jump cuts are incredibly seamless. Nowadays special effects are old news, but imagine...